Times of Oman
Price in RO
24ct / gm
22ct / gm
Forex Rates vs R01
Back to Homepage
Movie Review: Zanjeer
Siddharth Akhouri - Special to Times of Oman
September 09, 2013 , 2 : 15 pm GST
SAVE THIS ARTICLE
Official poster of Zanjeer
Ramcharan Teja, Priyanka Chopra, Sanjay Dutt, Prakash Raj, Mahie Gill, Atul Kulkarni
: Apoorva Lakhia
Remakes are high risks as they carry the burden of being compared to the original and the expectations run high. But when you come to know that a director of Apoorva Lakhia's caliber who has given us apology of films like Mumbai Se Aaya Mera Dost and Mission Istanbul is attempting a remake of Prakash Mehra's classic Zanjeer, it would be foolhardy to expect anything. The film does not surprise you either and it is far worse than you might have expected it to be.
It would be a sin to compare this lazy attempt to the original. Even as a standalone film, it fails miserably. Apoorva Lakhia remains confused between adding his own non-existent style in remaking an original. As a result, what you get is a patchy final product which makes you feel like watching the rushes of the original without any perspective or motive.
Another major undoing is that the sequences which are still remembered from the original like the famous scene where Amitabh Bachchan kicks the chair out of Pran's way and mouths some fierce dialogues, makes no impact whatsoever in the remake due to incapable handling and bad performances.
A few years back, Mahesh Manjrekar borrowed heavily from the 1973 classic for his film Kurukshetra and even that movie was more worthy of being called a remake than this one. Apoorva Lakhia as director doesn't even try at coherent narration and hopes for the film to sail on the brand name that Zanjeer is. He fails miserably to generate any interest in the proceedings and blindly and mechanically uses all the tricks in the books of modern day masala flicks without even a spot of imagination.
The original Zanjeer became a success for a reason. The 60's and the early 70's was the era ruled by romantic films and a film like Zanjeer at that time became a welcome change for the moviegoers. Zanjeer of today's time feels tired and oft repeated. Fearless cops versus corrupt system dramas come by a dozen now and out of which six or seven also have Prakash Raj as the villain.
Another most important reason for that film to work was the supreme writing by the legendary writers Salim-Javed. Writers Apoorva Lakhia and Suresh Nair are not even in the same neighborhood as the veterans, let alone try and fill their chair. The writers in order to bring something new to the table make a complete mess of the original and the additions which are made are completely hopeless and hackneyed. The dialogues are the worst part of the flick. These are possibly the worst dialogues of the decade giving KRK's Deshdrohi a stiff fight.
Ramcharan has some pretty big shoes to fill and he fails miserably. Zanjeer gave the tag of 'angry young man' to Bachchan but it gives Ramcharan only the license to act with one angry expression on his face. Harman Baweja managed to at least get two or three films in his kitty despite being a look alike of Hrithik Roshan. But it remains to be seen how high are the chances of Ramcharan's success in Bollywoood with looks which are a weird cocktail of Harman Baweja and Danny Dangzongpa and almost no acting skills to boast of.
Zanjeer is a kind of film which can boast of some really terrific actors giving their career worst performances. Priyanka Chopra is possibly the most irritating thing in the film with her over the top plastic bubbly attitude and wannabe accent. Mahie Gill follows closely next. She turns the legendary Mona's character into a sexually frustrated caricature which can prove devastating for her career and should work as a wake-up call for her.
Prakash Raj had ample chance to do something different with his role this time and match the genius performance of Teja by Ajit, but he too lets the chance to go waste. He gives another one of his lazy oft repeated performances this time coupled with loud and garish costumes. Sanjay Dutt sleeps walk through the proceeding and makes no impact whatsoever.
The music is as disappointing and as annoying as the film, but their biggest sin lies in the fact that they replaced the evergreen 'Yaari Hai Imaan Mera' song with a monstrosity of a song which even a deaf would cover his ears from.
Apoorva Lakhia never had it in him to helm a classic like this but it still takes a special kind of talent and laziness to make a film this bad. The only redeeming factor of the film is the fact that it may make the teenagers who are unaware of the old classic want to watch the original. As far as this one is considered, it is best to stay away from this sacrilege.
Rate this Article
Rates : 5, Average : 4.8
Post a Comment
Did you like this section? Leave a comment!
Your Name :
Your Email Address :
Your Comment :
Enter ImageText here:
Back to Article
September 10 at 6 : 56 pm
I am the guy who has written the review and firstly I would like to thank you for sparing time to write your comment. At the very outset I would like to clarify that I am no professional critic as you can see that this a special to Times of Oman...I do not work for them...I am just one of the ticket paying audience who has happened to find this amazing platform to express my views. And I completely agree that director and the whole team works really hard to make a film but at the end of the day it is made for the audiences. And I feel as an audience who has paid for the ticket with hard earned money I have the right to express my views any way I want. I feel cheated after seeing such a lazy attempt where the director takes the money paying audience for granted. And I can assure you this is not personal.
Apoorva Lakhia is too big and busy a person for me to hold grudges on. And this is part and parcel of the game. Obviously when he made Shootout he must have been appreciated for his effort and I personally enjoyed the film too and hence I am sure he must be ready to face the music when he has made a bad film. As for not mentioning his other films thats because I was trying to make a point there and as these reviews need to be concise we cannot actually enter a persons whole filmography there.
With all due respect the review is not about the director but the film which indeed fails and I urge you to see my review in a more positive light and be assured that there is no personal vendetta against the director whatsoever. I am just a movie lover who gets a bit too emotional about films especially when they are bad. Thank You.
September 09 at 8 : 46 pm
Sorry I do not believe in your verdict, as you fail to mention other movies by Director Apoorva Lakhia like Ek Ajanabee and Shootout at Lokhandwalla..passing such rash judgements on Directors who dedicate themselves to making movies for an audience who you so called critics like to thrash for some personal reason is unbelievable...
September 09 at 3 : 38 pm
ZANJEER-2….THERE ARE TWO THINGS ABOUT REMAKES…THE BAD THING ABOUT REMAKES OF THE CLASSICS IS THAT THEY ARE OBVIOUSLY GOING TO BE COMPARED, JUDJED WITH THE ORIGINAL…GOOD THING IS THAT IT’S A COMPETETIVE TEST OR AN OPPORTUNITY FOR THE ACTORS TO JUST RISE ABOVE THEIR TYPECAST ROLES AND PROVE THEIR METTLE, THEN THEY CAN SOMEHOW OUTCLASS THE ORIGINAL ROLES IN SOME WAY…CLASSIC EXAMPLE IS SHAH RUKH KHAN IN DON…SIMPLY GREAT…IN FACT CAN BE COMPARED WITH AMITABH’S ROLE AND MAYBE BETTER IN SOME SCENES….SANJAY DUTT IS THE ULTIMATE..HE WAS GREAT IN AGNEEPATH… AND IN ZANJEER -2 …HE IS CLASS APART…HE FITS IN THE ROLE A PRO….OFCOURSE WHAT PRAN SAHAB DID AND ESTABLISHED A BENCHMARK WAY BACK IN ‘70s WILL ALWAYS BE LEGENDARY…SO AS I SAID EARLIER REMAKES ARE ALWAYS GOING TO BE COMPARED /JUDJED…BECAUSE SCRIPT REMAINS THE SAME LARGELY…THE DIRECTOR IS SIMPLY JUST A DJ REMIXING SCENES FROM THE ORIGINAL…THAT SAID…CASTING IS A BIG THING IN EVERY MOVIE…HRITIK ROSHAN WAS WELL CASTED IN AGNEEPATH, SRK, AGAIN GREAT IN DON, BUT IN THIS MOVIE Ram Charan IS NO COMPARRISON TO AMITABH’S ROLE…HE IS A MISFIT…THAT CHARISSMA IS LACKING…HE IS NOT LARGER THAN LIFE…AND IN MOST AMITABH’S MOVIES, ACTRESES WERE OVERSHADOWED BY THE SHAHENSHAH ( SO ACTESESS ROLE IS NOTHING TO WRITE ABOUT AS IN PRIYANKA) CLEARLY AMITABH BACHCHAN CREATED A BENCHMARK WAY BACK WHICH VERY FEW CAN ACTUALLY MATCH…EVEN NOW IN 2013.
Latest in this section
Oman's cinema listings
Yami Gautam endorses online food portal initiative
A melodious rendezvous with legendary Pyarelal
Tickets for ‘Shreya Dobaara’ concert to be held at City Amphitheatre, Muscat now up for grabs
'Slave,' Gravity' share Academy Awards glory
TOP RATED ARTICLES
Astronomers spot rare asteroid break-up
Doing the breakfast run
The lover Barbara couldn’t wait to forget
Susan French/ Tony James Features
Police to weigh in on heavy trucks in Oman
FAHAD AL MUKRASHI
Mega construction projects in Oman drive demand for cement
A. E. James
More in News
Urban gardens greening Berlin rooftops, airfield
Italian violinist strikes a chord with street children
Tips for writing a good article
How to choose your writing form and communicate your creative thoughts
Natasja Engholm - Special to Times of Oman
Indonesia's illegal dentists bite back after ban
More in Features
The ever-shifting borders in the Middle East
Armed neo-Nazis have taken over Ukraine
Paul Craig Roberts
France is in sight of the violence in CAR
The weather and British phlegmatism
Russia has other roles to play in Syria
More in Columns
Get Top news by E-mail.
Copyright © 2014 Muscat Press & Publishing House SAOC. All rights reserved. Times of Oman is not responsible for the content of external internet sites.
For reprint rights contact:
TOO Online Editorial